The female solidarity is like a Hippogriff: a few have seen it and nobody knows whether or not there, but it remains a living creature in the imagination of almost everyone, and survives on paper in the animated Drawings of a thousand different artists. Perhaps they thought this
Tracey Emin and Louise Bourgeois when they decided to collaborate on the project Do Not Abandon Me, on display at the gallery Hauser and Wirth in London from February 18, perhaps the dean of the art contemporary, who died last May, has asked the former wild child of Margate to complete the sixteen designs that had produced just before his death for this, to hear a voice unlike his own, so different that the conflict between their artistic souls would could self-destruct imploding as a white dwarf, or merge them into a light penetration, consistent and explosive.
Looking at the works through the computer screen is the second scenario prevails: women's bodies, bellies full and sexual organs dashed by Bourgeois in a delicate flicker colors become heavy objects and subjects after the intervention of Emin, who Complete the picture with text, and sections full of pencil strokes offices that report from Louise creatures on planet earth, because they weigh a weight made out of fear, emotion and anger. If
Bourgeois went through the twentieth century, filling the space around her sculptures with intense but full of space, almost cold and developed in symmetry, with a precise sense, and never over the top, Emin has built its work on uncertainty, chaos and paranoia, basking in the self messy.
could hardly see two very different artists, so it is amazing the result of this collaboration: an intensive overview of the physical and emotional universe of men and women, translated into prints on cloth in the middle between delicacy and delirium, full sense in a few lines drawn on white bodies and minds to describe in full boil.
A last goodbye to Louise and Tracey for a change of language, perhaps to hippogriffs you can 'believe.
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